Wednesday, May 25, 2011

A Shadow in Summer

A Shadow in Summer (Long Price Quartet, #1)A Shadow in Summer by Daniel Abraham

My rating: 3 of 5 stars


Really a 3.5, but I wouldn't recommend this to non-fantasy fans.

A fantasy book with an eastern flair, and a tragic end.

Some people are annoyed with books that introduce fictional cultures and settings. This book is not for them. They'll complain about how that element was stolen from some culture, or how it interrupts the narrative when the author mentions a formal "pose" as a method of communication. And it's true, there are a few moments where it's not quite carried off the way it should. There are moments where the novelty of the culture is a little too intrusive, but they are just moments.

Mostly this is a political tragedy around a love affair. The love affair is not greatly explored, but it's motivations are clear and sympathetic. The politics are complicated by personal relationships that the players must betray. In the end, the book explores love that is not eros.



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Saturday, May 7, 2011

Wise Man's Fear

The Wise Man's Fear (The Kingkiller Chronicle, #2)The Wise Man's Fear by Patrick Rothfuss

My rating: 5 of 5 stars


This is storytelling. There is a cadence to the story, a pace that is just perfect. The story teller, telling his autobiography, lives in tragedy, yet the story he tells of his past seems to be that of a conquering hero. The juxtaposition underlines even the best outcomes with a sense of dread. You know that somewhere in these victories, lies the seeds of destruction. You could complain that everything seems to come too easy to our hero, that every obstacle is demolished, and every pitfall narrowly avoided. But Rothfuss has provided a frame, that allows the user to see the undercurrents of failure. Yes, the pitfall is avoided, but an enemy is left behind. The obstacle is demolished, but innocent blood was spilled.

The online literary term for the always too perfect hero is Mary Sue. I believe that Patrick Rothfuss wanted to play with the idea of the Mary Sue. He created a hero for which everything is just so easy, whose weaknesses are trivial. Then he fast-forwarded past everything, and imagined what might actually happen to someone who always won, without thinking of the consequences. Eventually, something Bad happens. We just don't know when yet. And that gives a darker tone to this otherwise bright tale.

*This was the first book I read on my iPod Touch. I enjoyed how easy it was to always have with me. I could bring it shopping with my wife, and while she picked out dresses, I could read my book. That's transformative.

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Tuesday, May 3, 2011

The Book of Lost Things

The Book of Lost ThingsThe Book of Lost Things by John Connolly

My rating: 4 of 5 stars


This is a book about children in transitional situations, and the difficult feelings insecurity can cause. It is not necessarily a book for children, and is sometimes quite dark. The author dips deep into fairy tales, and pulls the darker elements out to create a phantasmal world to reflect the emotional fears of a child. Like me, David loved books. He felt the power of a story, how they can pull you along, and come alive. I can say that during times of my life that I felt insecure, reading was a way of escaping, forgetting, and recovering. Reading a triumphant story could help me feel triumphant, that awesome things (things full of awe?) do sometimes happen. Perhaps only in my mind, but that made them no less real.



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Thursday, April 28, 2011

Dragon Keeper

The Dragon Keeper (Rain Wild Chronicles, #1)The Dragon Keeper by Robin Hobb

My rating: 4 of 5 stars


I like Robin Hobb. She's very good at writing an epic story where the characters spend most of their thoughts and efforts on non-epic subjects. In most of fantasy, there is a quest to save the world, and most of the time, characters talk about or work on this quest. Robin Hobb's characters spend a lot of their time thinking about who they're with, what their place in a group is, what they have to do right now, and often don't have much of a plan, just like real people. I think it is telling that the magic of her world has nothing to do with fireballs, healing or dark wizards. Instead it is about relationships. The magic affects bonds between people, and sometimes animals.

This book deals with feminism, dominating partners and closet homosexuality. There is no actual sex, but there is a viewpoint character who is attracted to men, and describes his first encounter with someone of the same orientation. This made me a little squeamish, but not terribly so. I thought the relationship with the dominating partner was very insightful.

Another angle that piques my interest is ecological. The dragons in this book are the remnants of an almost extinct species. Due to natural disaster, their life cycle was interrupted, and their habitat changed entirely. The river valley that once was their breeding ground has become a wide swathe of swamp, marsh and rain forest, with no dry land to build on. The water is always slightly acidic, and after earthquakes, will sometimes run white and strong enough to scald. Humans have built in trees, and have found the ruins of ancient cities, which they excavate for treasures that they do not understand. Dragons can no longer sustain themselves and must rely on the humans for survival.

As interesting as I make this sound, in the end this is a book about dragons. If you can't take dragons, you won't like this book. If you haven't read any of Robin Hobb's books, I would suggest starting with the beginning, Assassin's Apprentice, set in a different part of this same world, but more accessible, told in first person, from the point of view of a child growing up. Melinda didn't finish it, but I think it should be enjoyable to a wider audience.

*This was the second book I've read on my iPod Touch, and I quite enjoyed it. I may begin reading more ebooks.

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Tuesday, March 22, 2011

Memorial Day by Vince Flynn

Memorial Day (Mitch Rapp, #5)Memorial Day by Vince Flynn

My rating: 3 of 5 stars


24 in a book.

Like 24, if you try to take this book seriously, you can find plenty to critique. It's treatment of terrorism lacks nuance, and every character is a perfect physical specimen.

But if you're doing that, you're reading it wrong. The quote on the cover says "The king of high concept political intrigue". If you replace the "concept" with "energy" then it's right on. The story is kinetic.

Because I started this on the 6th book, I didn't have as much connection with "Mitch Rapp, Superagent", so sometimes didn't sympathize with him. I felt a little like my approval for his actions was taken for granted, even when those actions were very extreme. I believe that had I started with the first book, my ability to suspend disbelief for a story that I had invested in would be stronger, and my enjoyment better.

Now, because I think it's interesting, I'm going to talk about some things that prove I sometimes was "reading the book wrong".

1. In real life, I think Mitch Rapp would be very messed up. He would need serious counseling to function in civilized society.
2. In real life, the ticking time bomb situation is probably hopeless. If your intelligence has failed to that extent, it's probably too late to save it by torturing people for information. But maybe you do it anyway, because you have to try?
3. In real life, terrorists have a lot of different kinds of motivation(nationalism, personal revenge, power fantasies, religious radicalism). Not every terrorist is motivated by a radical reading of the Koran.

To be fair, this is a fantasy though. It's the author's attempt to say, "Wouldn't it be amazing if there were an agent like Mitch Rapp, working against terrorists, keeping us safe?" And even a way of saying, maybe there's not one person doing all these things, but it's amazing the things people are doing to keep us safe.



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Thursday, March 10, 2011

The Warded Man

The Warded Man (Demon Trilogy, #1)The Warded Man by Peter V. Brett

My rating: 3 of 5 stars


I can only barely give this 3 stars.



The world is quite interesting. A post apocalyptic fantasy world, where much has been lost, and the world is shrinking. Humans are losing a war with the demons who cavort in the night. The small towns on the edges of human society are dying out slowly through terror and despair. The Free Cities who depend on the raw products are unable to extend their protection further than their walls.



See, doesn't that sound interesting? The author is really good at setting up opportunities for himself to shine. He can focus on the small terrors and hardships of poorly slept nights, or the banality of laying your head down with only the wood walls between you and whatever stalks the night.



He could explore the frustrations, inadequacies and pettiness of the leaders in the cities, and explain how easy it can be for people living in The City to forget that anything important happens anywhere else(Yes that means you, New Yorkers).



He tries to discuss the difficulty of teaching hope to those who have lost it, but the big problem here is that this is his first book. At least, I hope that's the reason he couldn't build the atmosphere to go with his world. With just a little bit of gray, his book is filled with Black and White. His powers of description fail to bring the terror to life. His characters fall in love unconvincingly.



Now that I have picked on him, I have to say that the book was entertaining. It was imaginative, fast-paced, and the action was good enough. I'm having a hard time deciding if I will buy the second book. Authors often improve dramatically after their first book, so I think I will.



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Wednesday, February 23, 2011

Everything is Illuminated

Everything Is IlluminatedEverything Is Illuminated by Jonathan Safran Foer

My rating: 3 of 5 stars


This book is a 4.5-star book that I had to downgrade to 3 stars because of semi-graphic sexual content that was at best tangential to the book.



A story of culture clash told in two timelines. The modern timeline was my favorite, and is where all the punches land. The older timeline feels more like it's giving depth. It's the story of a town, and the author wants you to feel the weight of its history, its humanity. And he does that, generally following the descendants of a single family, but branching out with other little anecdotes and documentary bits.



The newer timeline is really fun, told by a ukranian guide with an interesting grasp on English. The characters start with self-deception and posturing, and there really are interesting depths that they discover.



The sex is never quite graphic enough to stop me from reading, but was enough to make me feel uncomfortable recommending this book. The point of its inclusion was lost on me, except that I think the author considers it an important element of humanity?



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